The Sleeping Beauty of MoMA

The culture world was treated to an unexpected new minimalist installation at New York’s Museum of Modern Art. It’s the latest work by Cornelia Parker, entitled “The Maybe”, starring British actress, Tilda Swinton.

The MoMA surprised visitors with the unannounced live-art performance of the actress sleeping inside a glass box. The actress’s appearance came as a complete surprise when photos of the event were posted on the Gothamist blog, which show Swinton dressed in a blue shirt and jeans, lying on a bed where she remained for eight hours. The main objective of the work is that no advertising is used, that it is a true performance, live and surprising, according to museum sources.

Tilda Swinton is famous for her involvement in these types of projects, which have categorised her in the alternative and androgynous style for which she is known. She was recently seen inaugurating the “David is Bowie” exhibition in London, an icon the actress says is one of her biggest references and whom she had the opportunity to work with on the British artist’s latest video. So if you’re going to the Big Apple and you’re planning to visit the Museum of Modern Art, don’t be surprised to see Tilda Swinton in her latest performance!

 

Joan Fontcuberta

The Spanish photographer, Joan Fontcuberta, has been awarded with one of the most important prizes in the world of photography, the Hasselblad Award (known as the Nobel Prize in Photography).

The Director of the Hasselblad Foundation, Bo Myhrman, has highlighted Fontcuberta’s professional career, classifying him as “one of the contemporary photographers to show the highest degree of inventiveness when producing an original piece of work”, and “he has never stopped researching and questioning the photographic medium”.  Artists as great as Henri Cartier-Bresson, Sebastiao Salgado, Richard Avedon, Robert Frank or Sophie Calle have also received the same award, which was first awarded in 1980, in the city of Gothenburg.

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Sputnik is possibly Fontcuberta’s most significant project: the ingenious story of the Soviet cosmonaut, Ivan Istochnikov, invented and characterised by the photographer himself, who disappears during a space mission, along with all the documentation that could prove he had ever existed. While his body is lost in space, history is rewritten in accordance to political interests, and the State Secret is used as an alibi for disinformation and lies.

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This conceptual artist has been working non-stop for over thirty years and his work is exhibited in museums that are well-known all over the world, such as the MOMA in New York and the Centre Georges Pompidou, in Paris.

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Insomnia, the muse of the cinema

The Joan Miró Foundation presents “Insomnia“, an exposition that draws together international artists who have been exploring the evolution of the cinema from the 80s until today.

The name of the exposition has been taken from what Hollis Frampton said in 1971 when he ended a speech about the relationship between photography and cinema, and he analysed their properties:

«At last, the cinema has finally seduced its muse. It’s called Insomnia».

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(nostalgia), 1971© Estate of Hollis Frampton

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A Visitation of Insomnia, 1970-1973 © Estate of Hollis Frampton

According to Frampton, when videos appeared, the cinema became obsolete to resurge later as an art, and for this reason it needs a muse. This new conception led Frampton and the artists who had been presented in the exposition to explore film language in different ways: the works of Lis Rhodes, Peter Kubelka, Stan VanDerBeek, Dan Graham, Ben Rivers and Stan Douglas concentrate on modifying the conventions of the cinema from three main points of view: the convergence between cinema and photography, the changes in projection techniques and the renewal of the models of film narrative.

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Stan Douglas, Video, High-definition video installation. 18:11 min (loop), six musical variations, 2007 © Cathy Carver, courtesy Stan Douglas and David Zwirner Gallery

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Dan Graham, Cinema, 1981-1982 ©Centre Pompidou,MNAM-CCI,Di.RMN-Grand palais/Foto : Philippe Migeat

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Ben Rivers, Ah, Liberty! , 19min, 16mm, 2008 © courtesy the artist and Kate MacGarry

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Stan VanDerBeek, Panels for the walls of the world, 1967©Anthology Film Archives

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Lis Rhodes, Light Music ©Lis Rhodes’, Tate Photography/Lucy Dawkins

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Lis Rhodes, Light Music ©Lis Rhodes’, Tate Photography/Lucy Dawkins

From 22 March to 16 June, the Joan Miró Foundation presents “Insomnia”, an exhibition that displays how cinema becomes art, and which lets visitors immediately become involved with the projection.

 

The Foam Photography Museum

The Foam Photography Museum is hosting four exhibitions that you can’t miss if you’re planning to visit the city of canals! From Japanese folkloristic tradition to Indonesian Asmat situation, get to know better the work of these four artists!

Canary (22 March – May 2013)

Lieko Shiga’s work combines local myths and stories from people with personal memories, emotions, experiences and also the creation of dramatic images which refer to the twilight between dreams and reality. Her obscure work is strongly rooted in the Japanese folkloristic tradition to present the supernatural as an obvious presence. Her photographs are characterized by a distinct use of light and colour with a powerful imagery, based on her own fantasy.

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Wedding Veil, 2007 © Lieko Shiga / courtesy Galerie Priska Pasquer, Keulen

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My Husband, 2007 © Lieko Shiga / courtesy Galerie Priska Pasquer, Keulen

 

Maryam Sahinyan’s Photo Studio – Foto Galatasaray (22 March – 12 May)

Foto Galatasaray exhibition is based on a selection from the complete professional archive of Maryam Sahinyan who worked as a photographer at her modest studio in Galatasaray, from 1935 until 1985. The archive is a unique inventory of the demographic transformations occurring on the sociocultural map of Istanbul after the declaration of the Republic and the historical period it witnessed; it is also a chronological record of a female Istanbulite studio photographer’s professional career.

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Foto Galatasaray / Istanbul – Beyoğlu, 05.1961 © Maryam şahinyan / courtesy Tayfun Serttaş & Yetvart Tomasyan

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Foto Galatasaray / Istanbul – Beyoğlu, 1936 © Maryam şahinyan / courtesy Tayfun Serttaş & Yetvart Tomasyan

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Foto Galatasaray / Istanbul – Beyoğlu, 1941-1943 © Maryam şahinyan / courtesy Tayfun Serttaş & Yetvart Tomasyan

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Foto Galatasaray / Istanbul – Beyoğlu, 1940 ©Maryam şahinyan / courtesy Tayfun Serttaş & Yetvart Tomasyan

Sara Cwynar – Everything In the Studio (Destroyed) (22 March – 16 May 2013)

Sara Cwynar work combines photographic images with installations, collages and sculptures. She has a constant need to collect photographs, objects and all kinds of ephemera, which she then rearranges and documents. Sara Cwynar currently lives and works in New York.

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Everything In The Studio (Destroyed), 2012, Mixed media installation, © Sara Cwynar / courtesy of COOPER COLE, Toronto, Canada

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Blue Vanitas, 2011© Sara Cwynar / courtesy Cooper Cole gallery, Toronto

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All the Greens, 2011 © Sara Cwynar / courtesy Cooper Cole gallery, Toronto

Koos Breukel & Roy Villevoy – Tí  (12 April 2013 – 19 June 2013)

The Asmat in the Indonesian part of New Guinea is a largely impassable mangrove swamp, roughly the same size as The Netherlands. It contains a unique culture of hunters and gatherers, still living isolated from the rest of the world. Visual artist Roy Villevoye and photographer Koos Breukel visited the small Asmat hamlet of Tí together at the end of 2011. The people of Tí have been living in the tropical rain forest completely isolated from the rest of the world for generations. However, the Asmat has been undergoing rapid changes during the last few years. Indonesia is encouraging the commercial exploitation of the area. For the time being Tí seems to remain unaffected by the economic changes taking place.

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From the series Tí © Koos Breukel & Roy Villevoye / Courtesy the artists, Motive Gallery and Van Zoetendaal Collections

From the series Tí early morning C Koos Breukel en Roy Villevoye  Courtesy the artists Motive Gallery and Van Zoetendaal Collections

From the series Tí, Tí, early morning © Koos Breukel & Roy Villevoye / Courtesy the artists, Motive Gallery and Van Zoetendaal Collections

From the series Tí Waidua Sebái Novi Sebái Filemon Nato Eta Nato C Koos Breukel  Roy Villevoye  Courtesy the artists Motive Gallery and Van Zoetendaal Collections

From the series Tí, Waidua Sebái, Novi Sebái, Filemon Nato, Eta Nato © Koos Breukel & Roy Villevoye / Courtesy the artists, Motive Gallery and Van Zoetendaal Collections

Ti C Roy Villevoye Courtesy Motive Gallery

From the series Tí © Koos Breukel & Roy Villevoye / Courtesy the artists, Motive Gallery and Van Zoetendaal Collections

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From the series Tí © Koos Breukel & Roy Villevoye / Courtesy the artists, Motive Gallery and Van Zoetendaal Collections

If you want to know more about the current exhibitions just pop along to The Foam Museum in Amsterdam and enjoy the photographic work of these artists!

Deeply honest memories in the debut exhibition of Tyler Udall

The Little Black Gallery will be hosting the debut show of the editor, artistic director and emerging photographer Tyler Udall, who is exhibiting a collection of his best photo memories in London for the first time.

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His initial contact with the art world was when he started experimenting with his camera, drawing his inspiration from different environments, friends and lovers. What characterises his work is his unique approach to beauty, one that is not based on conventional concepts. His photography takes us beyond preconceived ideas, portraying genuine and honest memories of people and places present at some time in his life.

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IZZY DAVID DANIEL LYNN CANYON©TylerUdall

FULL MOON AND FEATHER TREE©TylerUdall

ST. JOHN KIDS SKIPPING SCHOOL©TylerUdall

After just two years working professionally as a photographer, Tyler Udall has already made a big impact on North American photographic culture, working on the creation of iconic covers featuring Kate MossKirsten Dunst and Natalie Portman.

The exhibition is being held in The Little Black Gallery in London from 11 February to 16 March 2013. So if you’re in the English capital, make some time in your tight schedule between tea time and a visit to Big Ben to check out the work of Tyler Udall!

 

Insiders: Dina Goldstein

Today we are honoured to be chatting with Canadian photographer Dina Goldstein, who you probably already know through her world-famous work, Fallen Princesses, a collection of photographs where the princesses in the fairy tales don’t end up as happy as we would expect.

In her new project, In the Doll House, she depicts the real and troubled love affair between Barbie and Ken through the use of drama and humour. She also ironically examines their sexuality, revealing the “real me” of the husband of the world’s most famous doll. If you want to learn more about the author of this work, just read on.

In The Dollhouse by Dina Goldstein

In The Dollhouse by Dina Goldstein

1) How did you become a photographer? Was it something you had planned or did it happen by chance?

I started photography at 23yrs; I was young and very eager.  At the time I was surrounded by all kinds of artist; Musicians, actors , painters, photogs.  I had a world of material to photograph.  I set up a studio in my apartment and went for it.

I worked part time at a photo supply store and in my spare time photographed anything and everything.  I could get discounts at the store on equipment and processing so it really helped me out.  At the beginning I thought that I wanted to be a photojournalist so I traveled to Gaza and the Westbank in hopes of getting some good material that would help me break in.  I came back from the Middle East with some good images and a new prospective.  I soon realized that the sometimes isolated and often dangerous world of photojournalism was not for me.  I am a people person and really need my friends and family around me.  I think that it was good for me to understand that early on in my career.  Instead I began to pursue editorial and conceptual photography, which was more suited for me.

In The Dollhouse by Dina Goldstein

In The Dollhouse by Dina Goldstein

2) Who has given you the best piece of advice? What was it?

Why not you?  Why can’t you be the one to succeed in what you love to do?

3) What is the project you enjoyed doing the most? And the one you’re the most proud of?

I enjoyed and am proud of all of my projects as I put my heart and soul into creating them.  They are like children that you love equally but in a different way.

In The Dollhouse by Dina Goldstein

In The Dollhouse by Dina Goldstein

4) List 3 things you couldn’t live without

My children, my family, my body.

5) About “In The Dollhouse”, what motivated you to create this project? 

In the Dollhouse is just a progression of me following my two daughters Jordan now 7 yrs and Zoe 3 yrs.Playing with dolls is a way for girls to rollplay and pretend. I started thinking about the messages that they were receiving from their Ken and Barbie dolls.  Of course Barbie is an impossibly proportional doll and Ken has become so effeminate that he is barely recognizable.  I let my imagination go wild and created alternative worlds for these characters.

 6) Finally, if you could partner up with an artist or publication, which one would it be? Why?

I would like to partner up with a creative force like Madonna….or shoot a whole issue for Interview mag….that would be fun!

Fallen Princesses by Dina Goldstein

Fallen Princesses by Dina Goldstein

Thanks a lot, Dina, for agreeing to answer our questions! Don’t forget, you can keep track of her on her WebsiteFacebookTwitterVimeo and Youtube accounts.

 

All images courtesy of Dina Goldstein.

More info about In The Dollhouse at inthedollhouse.net

(Dis)Location by Filip Dujardin

Our featured personality today started out in the world of creativity as an architectural photographer, concentrating his work on the structure of impossible buildings. Soon the immensity of the buildings and their rules of proportion became the main focus of his work. He felt the need to control the aesthetics of these constructions, to capture their transformation through a much more personal vision of architecture.

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Dujardin began to dispense with the foundations of traditional architecture, setting his own limits and giving free rein to his creativity. His photographs depict the transformation of real buildings into fictitious structures, making them virtually impossible to distinguish between.

The authenticity of the Belgian photographer causes confusion but at the same time manages to surprise the viewer’s eye, making us believe that what we consider impossible is much more real than we imagine.

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If you want to know more about (Dis)Location by  Filip Dujardin, just pop along to the Highlight Gallery in San Francisco from February 07 to March 29.

Highlight Gallery
17 Kearny St.
San Francisco, CA
94104

All images courtesy of Highlight Gallery

RUBENIMICHI

Behind the creative figure of Rubenimichi lies a strange and wonderful example of vegetation in the forest of contemporary art that emerges from the fusion of three artistic minds that manage to coexist in one spirit.

If we took a cross section of the trunk of the natural phenomenon that Rubenimichi is we would see the smallest ring in 1996, the year in which Michi and Rubén, two solitary seeds, came together to develop a project that has continued to grow over the years and which includes experiences as diverse and complementary as toys, screen printing and ceramics. A graft of a plant species was completed with the addition of Luisjo in 2002, the last cutting to sprout and join a pictorial project which often falls within the Lowbrow movement in Europe.

"Sobrenatural" by Rubenimichi

"Sobrenatural" by Rubenimichi

"Sobrenatural" by Rubenimichi

In “Sobrenatural” (Supernatural) the viewer enters a world of botanical metaphors, with disturbing characters camouflaged within the dense forest who interact with each other in a magical, fantastic way. The images that transport us back to ancient times where the redwoods, trunks, seeds, leaves, and especially the strange specimens of human vegetation become the protagonists in a world bathed in a nightmarish aura, disturbing, and even with a touch of the fairytale about it.

"Sobrenatural" by Rubenimichi

"Sobrenatural" by Rubenimichi

"Sobrenatural" by Rubenimichi

Galleries like La luz de Jesús in California and Mondo Bizarro in Rome have already hosted Rubenimichi’s work, and artists of the calibre of Mark RydenTodd SchorrRon English and Tara McPherson have shared a space with his art.

If you want to discover the hidden meaning of the rites and strange games behind this sacred nature, just pop along to the Mutt Gallery in Barcelona before 3 February 2013.

"Sobrenatural" by Rubenimichi

"Sobrenatural" by Rubenimichi

 

All images courtesy of Mutt Gallery

Insiders: Igor Termenón

For our latest edition of Insiders we had the pleasure of chatting with Igor Termenón, Edinburgh-based photographer and editor of “Girls on Film”, a contemporary photography zine showcasing the work of artists who shoot with film cameras. Don’t miss the interview below!

1) How did you become a photographer? Was it something you had planned or did it happen by chance?

It kind of happened by chance. I started taking photos when I was around 20 years old, at that time I was studying my bachelor’s degree in Engineering and organized my first “shoot” with some friends. After that, I got more and more interested and continued shooting for fun until I started shooting commissioned work.

2) Who has given you the best piece of advice? What was it?

I guess following other photographer’s work has always been the best piece of advice for me. I admire young photographers who work hard and spend every single second of their free time on something related to photography. I believe that if you’re constant in what you do, you’ll eventually get what you want.

Suburban Dream by Igor Termenón

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Ragged Mountain by Igor Termenón

3) What is the project you enjoyed doing the most? And the one you’re the most proud of?

I just can’t name one but I really enjoy editorials with a big team of people involved, they can be stressful but it’s always fun at the end of the day! I’m particularly proud of an editorial I shot a few months ago in the outskirts of Glasgow called “Suburban Dream“, I think it really summarizes my aesthetics and the kind of work I want to be known for.

4) List 3 things you couldnʼt live without

Music, milk and of course my compact film camera.

Oblivion by Igor Termenón

Berlin by Igor Termenón

5) About “Girls on Films”, what motivated you to create this zine? How do you usually find the characters featured on them?

I started Girls on Film when I was studying my master’s degree. At that time I wasn’t taking many photos but still wanted to keep involved with photography so that’s why I decided to develop an idea that I had had for a while: curating a small photography publication featuring the work of emerging artists.

Right now I get lots of submissions every month so it’s not hard to find photographers that fit the style of the zine, but when I started I would spend lots of hours contacting photographers and asking if they’d like to contribute. I must say that social media, and particularly Facebook, have helped a lot in this process of finding new photographers.

6) Finally, if you could partner up with a blogger, artist or publication which one would it be? Why?

I would love to take some portraits or still life photography for “Apartamento“, I absolutely love the aesthetics and editorial line of the magazine.

New Gold Dream by Igor Termenón

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Ewan by Igor Termenón

Thanks a lot, Igor, for agreeing to answer our questions! Don’t forget, you can keep track of him on his website, blog, Twitter and Tumblr.

And if you still want to know more about Girls on Films, you can do it here: WebsiteFacebookTwitter.

Finders Keepers

To celebrate the English gallery’s 20 years of existence, Michael Hoppen unveils the hidden treasures of his collection in the gallery’s largest exhibition to date. Entitled Finders Keepers, the exhibition presents 130 photographs combining the most surreal and the most bizarre.

The selection of artists is also extensive: their work ranges from anonymous 19th-century photographs to iconic post-war images. Fredrich SeidenstuckerIrving PennRoger BallenRichard AvedonLee Miller, Terry RichardsonPolly Borland and Shomei Tomatsu fill the three floors of the exhibition with their art.

These images demonstrate the totally eclectic vision of the gallery with a taste for unconventional, special artists. If you want to check it out for yourself, make your way to the Michael Hoppen Gallery in London before 30 January 2013.

Xteriors VIII, 2006 © Desiree Dolron, courtesy of Michael Hoppen Gallery

Colourscapes, 1993 © Nobuyoshi Araki, courtesy of Michael Hoppen Gallery

The Three Graces, Outtake of Sisley Campaign, 2002 © Terry Richardson, courtesy of Michael Hoppen Gallery